By Robin Wood. Claire Denis: Cinema of Transgression, Part 2 (Read Part 1 here.) What it isn’t I have before me two statements about I Can’t Sleep(J’ai pas sommeil, 1994) by reputable and intelligent critics: 1. On the cover of the video, Georgia Brown (who used to write for The […]
Running Track: 50 Scores from World Cinema
By John Caps. Some seasons ago, Lincoln Center’s Film Comment magazine published an annotated survey of the history of Hollywood film music, “Soundtracks 101.” There I took readers from the beginning of descriptive/narrative soundtrack scoring in 1933’s King Kong through latter day experiments in sight/sound correlation like Waking Life where […]
The Most Dangerous Man in America: An Interview with Rick Goldsmith
By Amy R. Handler. The case of Daniel Ellsberg and the ‘Pentagon Papers’ is re-visited in a fascinating documentary by Rick Goldsmith and Judith Ehrlich. It is not surprising that their film, The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers was a 2010 Academy Award nominee. […]
Pieces of Momoko Ando: A Conversation With the Director of Kakera
By Johan Nordström and Doris Lang. Momoko Ando, born in 1982, is one of Japan’s hot and upcoming new directors, whose debut film Kakera: A Piece of Our Liferecently had a simultaneous release in England and Japan, after first having played the festival circuit. Momoko Ando, the daughter of actor-director […]
Peter Strickland: Director of Katalin Varga
By Henry Rowsell. Prior to the release of his debut feature length film, Peter Strickland was not a well known name in the British film industry, however Katalin Varga(2009), a harrowing vengeance noir cast against the dramatic and intermittently haunting landscape of Transylvania, has drawn the critical acclaim of judges […]
‘Like Birds in the Trees’: Charles Burnett on Life in Watts, the Abattoir, and Brain Surgery
By Jamie Isbell. Charles Burnett’s journey as a filmmaker has not been one of equidistant success after success. Starting out with untracked intentions of becoming an electrical engineer and no grasping desire to become a man with a movie camera, he was in a strange position of observation in his […]
Larry Cohen: Film Crazy
By Patrick McGilligan. ‘Mr. Cohen has mined a career out of one simple question – what’s the worst that could happen? – which he answers with the stinging, compelling heat of the exploitation thriller.’ (Elvis Mitchell, The New York Times, April 27, 2003) There’s no mistaking a Larry Cohen film. […]
The Wicker Man (1973): Collector’s Edition
By Deirdre Devers. ‘You are despicable little liars’, spits Sgt. Howie (Edward Woodward) to a room full of schoolgirls during the first act of Robin Hardy’s cult classic, The Wicker Man. Sgt. Howie wields the full authority of his policeman’s uniform when he arrives on the idyllic and remote island […]
Freedom Deep and The Book of Eli: An interview with director Aaron Stevenson
By Amy R Handler. In the interview below, Australian filmmaker Aaron Stevenson suggests that screenwriter Gary Whitta may have plagiarized Stevenson’s film Freedom Deep (1998, complete ‘Final Director’s Cut’ in 2008) when penning the script for The Hughes Brothers’ recent film, The Book of Eli. When confronted with Stevenson’s statements, […]
From Short Story to Film to Autobiography: Bergman’s Intermedial Variations
By Maaret Koskinen. (These are excerpts from In the Beginning Was the Word: Ingmar Bergman and His Early Writings [Stockholm: Wahlström & Widstrand, 2002], originally published in Film International 1, vol. 1. no. 1, 2003.) One autumn a few years ago the author of this article was in the process […]