By Philip Cartelli. Near the end of Philippe Grandrieux’s hyperbolic It May Be That Beauty Has Reinforced Our Resolve – Masao Adachi (Il se peut que la beauté ait renforcé notre resolution – Masao Adachi, 2011), screened in the international competition at this year’s FID, director Masao Adachi looks into […]
Thinking Film Since 1973
Theresa Rodewald