By Paul Risker. Arguably the icon of onscreen childhood angst is Antoine Doinel (Jean-Pierre Léaud) in François Truffaut’s The 400 Blows (1959). His desperate gaze out to sea is one that is seared onto the cinematic consciousness. Fast-forward more than half a decade and Hide Your Smiling Faces (2013) sparks the […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
