Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Stenography, Lee Murray’s fabulously complex, sophisticated and enthralling hour-long epic comedy about political turmoil in Munich 1923, begins modestly with a […]
Film Scratches: Meditations on the Ordinary – The Short Trilogy of Peace (2016)
July 23, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Martin Sagadin in a Slovenian filmmaker living in Canterbury, New Zealand. His Short Trilogy of Peace consists of three shorts, which […]
Call for Submissions: The Trail of the Zodiac Killer – Essays on Popular Culture (Edited Collection)
This past spring marked the tenth anniversary of the release of David Fincher’s Zodiac, the legacy of which continues to increase. Viewers and scholars continue to analyze the narrative power of Fincher and screenwriter-producer James Vanderbilt’s journalistic rendition – based on Robert Graysmith’s gripping works of journalism – of the […]
Film Scratches: Conjuring with Cameras – Savage Witches (2012)
July 1, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Savage Witches, a feature length film by Daniel Fawcett and Clara Pais (collectively known as The Underground Film Studio), is itself […]
Film Scratches: Canaries in the Mine – Focus (2014)
June 26, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Focus is a thoughtful, intriguing 7 minute film essay by Simon Welch. The film is a portrait of Pierre, a retired […]
Film Scratches: Meditations on the Vine – Domain and Range (2015)
June 26, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Domain and Range is a thoughtful, engrossing 6 minute film essay by Simon Welch, a British artist living in rural France. […]
Film Scratches: Recombinant Modification of Sci Fi – Going Somewhere (2015)
June 26, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Something fascinating and strange is going on in Going Somewhere, an ongoing “movie serial” by Michael Betancourt, with individual episodes […]
Film Scratches: New York Subways as Therapy – Participate in My Relaxed State (2016)
June 21, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Halley (Megan Clement) is a young woman in search of healing from an unstated ailment. Participate in My Relaxed State, a […]
Film Scratches: A Network of Networks – Memento Mori (2012)
June 4, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Memento Mori, Dan Browne’s profound 28 minute short, starts off seeming more banal and simplistic than it really is. The title […]
Film Scratches: Pregnant Poetry – The River (2016)
June 4, 2017
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. The opening of Ya-Ting Hsu and Geoffrey Hughes’ The River, their 16 minute examination of the repeated traumas of Hsu’s pregnancy, […]