A Creative Hunger: Actor/Writer Kelly Murtagh on Shapeless

By Alexandra Heller-Nicholas. The tone does feel hard to put into words, I think, because Shapeless is so experiential…. Eating disorders can seduce, seeping in subtly, promising relief. You fall for it, just one time. And then another….” “Lived experience” is increasingly becoming one of those descriptors that overuse is […]

Sting in the Tail: Filmmaker Avalon Fast on Honeycomb (Slamdance)

By Alexandra Heller-Nicholas. These girls were actively looking for a way out, and to create separation between themselves and the world they gladly left behind. I think they felt more comfortable living in their new world the way they wanted, and controlling when others were allowed to experience and judge […]

TV Divas and Armani Archfiends: Amanda Kramer on Give Me Pity! (IFFR 2022)

By Alexandra Heller-Nicholas. Give Me Pity! is a natural progression to the previous work because it pushes the idea of artificial space further. We’re located on a stage meant to look and feel like a stage. The film is about a consummate performer performing a performance.” Sissy St. Claire is a […]

A Neo-Noir Obsession: An Interview with Paul Solet on Clean

By Yun-hua Chen. Obsession in general is something that’s a sort of a bottomless wealth for me to draw on. I identify with that sort of [neo-noir] obsession about my own work, so it’s easy to tap into that personally.” The second collaboration between Paul Solet and Adrien Brody after […]

Noir and the Current Moment: Eddie Muller on Dark City and Programming

Below is an excerpt from “‘Just How You’re Wired’: Talking Noir with TCM’s Eddie Muller” by Zoe Kurland, which is forthcoming in Issue 19.3 of Film International: Noir 2020 and Beyond, a special issue guest edited by Retreats from Oblivion: The Journal of NoirCon. [Noir is] just as cogent, even […]