By Hooman Razavi. Since February 2015, producer Mostafa Azizi has been detained in Iran’s notorious Evin Prison (when visiting an ailing parent) on a bogus charge of endangering national security and insulting the supreme leader. Azizi is sentenced to 8 years and is now waiting for an appeal, supposedly to […]
All About Asking Questions: Andrew Bujalski on Results
By Paul Risker. A film’s journey is comprised of multiple steps. The next step or chapter for writer-director Andrew Bujalski’s fifth feature Results (2015), following its warm reception at SXSW and Sundance, is one of continuation, as the transfer of ownership from filmmaker to audience continues. Known for his comedies: […]
Every Project is Unique: Enzo Cilenti on the Series Jonathan Strange & Mr. Norrell
By Paul Risker. “Every project is unique,” explained Enzo Cilenti who recently delved into the past to explore a tale of magic in the Industrial Age in the BBC’s adaptation of Susanna Clarke’s Jonathan Strange & Mr. Norrell (2015). Cilenti is no stranger to the small screen having appeared in Game […]
Love at the Crossroads of Ethnic Conflict: Dalibor Matanic on The High Sun
By Amir Ganjavie. The brutal war that followed the disintegration of Yugoslavia and the hatred between Serbs and Croats have provided material for many Balkan filmmakers. Dalibor Matanic’s The High Sun, a fresh take on the subject from Croatia, is the first film from that country to participate at Cannes since 1991, […]
Men Who Save the World: an Interview with Producer, Sharon Gan
By Noah Charney. The first annual Kopedia Comedy Festival, held in the peaceful coastal town of Koper, Slovenia, a hybrid Italian-Germanic-Slavic port on the Adriatic, featured a special guest who, at least by Slovene standards, qualified as extremely exotic. Sharon Gan is a Malaysian producer, and had brought with her […]
Subversive Detection: Bruno Dumont on P’Tit Quinquin
By Paul Risker. The European continent shares an intimate connection to the detective archetype. Nordic shows The Killing (2007-2012), The Bridge (2011-) and Wallander (2005-2013), alongside the French double bill of Braquo (2009-2014) and Spiral (2005-) as well as Italy’s Inspector Montalbano (1999-2013) have over the past decade or so […]
Tough Talk from the Heart: A Conversation with Joe Mantegna
By Matthew Sorrento. Veteran actor Joe Mantegna has all the wisdom that a life before the camera could provide. And yet he possesses an innocence long lost by most in his cadre. Looking back on a varied acting career – “I’ve done it all” from him sounds completely factual and […]
Soul of a “Lioness”: On Argerich: Bloody Daughter (2012)
By Paul Risker. Argentine pianist Martha Argerich has always represented a swirling musical force – her performance of the Rachmaninoff Piano Concerto No.3 in particular having left me astounded and inclined to perceive her as a godlike force of artistic expression. I have heard whispers of the woman behind Argerich […]
A New World: Marie Tourell Søderberg on the Series 1864
By Paul Risker. There are those projects that stand out in stark contrast to what has gone before, which engulf the individuals involved. 1864 (2014) is one of those moments, and as the young Danish actress Marie Tourell Søderberg, who stars in the epic war drama, explains: “This is by […]
The “Czar of Noir” on TCM’s Summer of Darkness
By Matthew Sorrento. The “Czar of Noir” Eddie Muller needs no introduction. Over the past two decades, he has become what we could describe as a public intellectual for golden age cinema. If not the scholar of film noir that Foster Hirsch or James Naremore may be, Muller has offered […]
