By Yun-hua Chen. A natural continuation of Simon’s perpetual quest to intimately connect with humans in various conditions and manifestations.” From life’s inception to its inevitable conclusion, from the intricate tissues within us to the complexities of our identities, Claire Simon’s Our Body looks into the gynecological experience with remarkable […]
A Picture of Then and Now: Risto Jarva’s Time of Roses (1969)
By Jeremy Carr. A seemingly intact image is a big lie”— This assertively obstruse line comes at the beginning of Time of Roses (Ruusujen Aika), which is itself, particularly at the beginning, a rather obstruse film. But as the picture progresses, the ostensibly elliptical declaration becomes central to what emerges […]
Scared Stiff: Ari Aster’s Beau is Afraid (2023)
By James Slaymaker. The prospect of Aster breaking away from the restrictions of a three-act generic formula may initially sound promising, offering Aster the opportunity to liberate his style and delve into more unbridled filmmaking territory; unfortunately, however, Beau is Afraid feels just as airless and over-calculated as the efforts that preceded […]
Notes from Uncanny Valley: Franklin Ritch’s The Artifice Girl (2022)
By Thomas M. Puhr. Franklin Ritch’s feature debut hinges on its ability to make you think you’re watching one kind of movie before becoming another, and then another. If you like cerebral, speculative science-fiction, then you should seek this one out.” The first lines of dialogue in The Artifice Girl […]
A Woman on the Edge of a Nervous Breakdown: Repulsion by Jeremy Carr
A Book Review by Dávid Szőke. A fascinating study that examines themes mostly, but not exclusively, central to feminist visual representations, without losing sight of the paradoxes that shade contemporary approaches to Polanski’s work in the light of the #meToo movement.” “We are clay […] and nothing is real for […]
What’s the “Something”?: Pierre Földes’ Blind Willow, Sleeping Woman (2022)
By Thomas M. Puhr. Based on six Haruki Murakami short stories, writer-director Pierre Földes’ feature debut is an invigorating curiosity, a much-needed reminder of the emotional depths to which animation can take us.” “What you see with your eyes is not necessarily real,” a character reflects in Blind Willow, Sleeping […]
Fame with a Tarnish: Mickey Reece’s Country Gold (2022)
By Jonathan Monovich. Chips away at complex meaning and eventually strikes it, despite the occasional distracting surrealism.” Country Gold begins in a reverse Wizard of Oz fashion, transitioning from color to black-and-white. The story starts with Troyal Brux (Mickey Reece), a playful take on Garth Brooks, professing his idolization of […]
Low Cost, High Reward – Blumhouse Productions: The New House of Horror
A Book Review by Thomas M. Puhr. It’s this nebulous balancing act between artistic risk and bottom-line business that makes such companies so fascinating, and books like this one so illuminating.” Not a week seems to go by without a new horror movie bearing the Blumhouse logo making the rounds, […]
Borzage in the Beginning: 1922’s Back Pay and The Valley of Silent Men
By Jeremy Carr. Two 1922 Borzage features are now available on Blu-ray/DVD, thanks to the laudable efforts of Undercrank Productions and the Library of Congress.” The arrival of any Frank Borzage film on DVD or Blu-ray is a noteworthy occasion. But when there are two packaged together and they are […]
Bargaining with the Devil: Bill Skarsgard and Landon Liboiron’s Soul of a Man
By Dávid Szőke. Eerily beautiful in recapturing the early Gothic film.” Edgar Allan Poe’s short story “Bon-Bon” (1832) is a grotesque retelling of man’s futile endeavor to tempt immortality by making a Faustian contract with the devil. Set in a French wine cellar, the original story pulls the reader into […]