They’ve Come to Save Us!: Gothic Inspiration Returns in Toy Story 4

By Matthew Sorrento. Like all films in the series, the fourth installment of Toy Story (2019) concerns kids’ fears of abandonment, with lost toys working in place of children. Once again, the toys get lost for an adventure, for some form or return/reconciliation at the conclusion. There’s only so much […]

Two from Venice 2019: The Scarecrows and Corpus Christie

By Ali Moosavi. Two films which premiered in the 2019 Venice Film Festival, both looking critically at the role of religion in modern society. The Scarecrows, written and directed by the veteran Tunisian director Nouri Bouzid is set in Tunisia in 2013. It deals with the aftermath of being freed […]

The Method to His Madness: Grady Hendrix and Satanic Panic

By John Duncan Talbird. Grady Hendrix is a novelist, sometimes-journalist, essayist, and screenwriter. He’s written several horror novels, including the very recent We Sold Our Souls, “a heavy metal take on the Faust legend.” He is one of the founders of the New York Asian Film Festival and, on his […]

Dachra: A Different Kind of Tunisian Revolution

By Greg Burris. Early on in the Tunisian horror film Dachra (Abdelhamid Bouchnak, 2018), we see a class of university students as they listen to their professor’s instructions for their final assignment. The students are to arrange themselves into groups and produce a filmed investigative report on a subject of […]

Scared Second – American Horror Project: Volume Two (Arrow Video)

By Rod Lott. One could find irony in the United States’ collective history of regional horror films being written by a Brit. Instead, I choose to thank him for it. Stephen Thrower literally wrote the book on the subject in 2007’s seminal Nightmare USA: The Untold Story of the Exploitation […]

Oy, Vat a Story! Fiddler: A Miracle of Miracles

By Elias Savada. At moments during filmmaker Max Lewkowicz’s lovely homage to one of the world’s greatest musicals, I was verklempt. I got choked up over Chaim Topol’s interpretation of Tevye the milkman in Norman Jewison’s film version of Fiddler on the Roof, and when Lin-Manuel Miranda breaks out into […]

Dividing Lines: Tony Richardson’s The Border (Kino Lorber)

By Jeremy Carr. Immigration enforcement agent Charlie Smith (Jack Nicholson), who moves from Los Angeles to El Paso, where he joins the Texas sector’s border patrol, says he just wants to “feel good about something sometime.” But it’s not easy in his line of work, which is marred by futility, […]

Danish Redux: After the Wedding

By Elias Savada. Sad to say, but it wasn’t a good idea for American filmmaker Bart Freundlich to remake the Oscar-nominated Best Foreign Language Feature Efter Brylluppet (After the Wedding), the 2006 film from Danish writer-director Susanne Bier. Bier, whose 2004 Danish war drama Brødre (Brothers) was also rejiggered for […]