A Fun Swansong: The Last Film Festival

By Christopher Weedman. The Last Film Festival’s comedic glimpse into the behind-the-scenes politics and turmoil that surround film festivals began as a joke between the film’s writer-producer-director Linda Yellen and its late iconic star Dennis Hopper during an encounter at the prestigious Sundance Film Festival. When she asked him what […]

The New World: Exploring the Developing Territory of Terrence Malick

By Jeremy Carr.  During post-production on The New World (2005), director Terrence Malick said it would be the last time he made a movie with a plot. Given the film’s free-form audio-visual flow and its loose narrative construct, the statement was met with some amusement. Plot though there may be, […]

The Lovers and the Despot: Forced Seduction, North Korean Style

By Johannes Schönherr. The Lovers and the Despot, a 2016 documentary by British directors Robert Cannan and Ross Adam, tackles an especially bizarre episode in Korean history playing out in the late 1970s / the first half of the 1980s. An episode that has been told countless times in magazine […]

The 2016 New York Film Festival

By Gary M. Kramer.  The 54th New York Film Festival showcases more than one hundred features, shorts, documentaries and experimental films September 30 – October 15. Many of the titles are the latest films by some of the biggest names in world cinema—Pedro Almodóvar, Olivier Assayas, Paul Verhoeven, and Ang […]

Antoine Fuqua’s The Magnificent Seven: Loss of Grace

By Christopher Sharrett. I have always thought that John Sturges’s 1960 Western The Magnificent Seven has suffered too unfavorably in comparison to its source material, Akira Kurosawa’s Seven Samurai (1954). Kurosawa’s film, like all of his samurai films, was heavily influenced by Ford, Hawks, and Walsh, making him, to my […]

The 2016 New York Film Festival Shorts Program

By Gary M. Kramer.  The New York Film Festival offers a range of fascinating short films, in five programs that showcase narrative shorts, international auteurs, genre stories, New York stories, and documentaries. The Narrative program is a mixed bag. The dark comedy Be Good for Rachel has Rachel (writer Rachel Sondag) […]