Girlhood: A Sundance Review

By Jacob Mertens. In an early sequence in Céline Sciamma’s Girlhood, a group of girls walk home at night after a football game, weaving through featureless concrete high rises. One by one, each girl peels off from group as they reach their home until only Marieme (Karidja Touré) remains. In […]

Theeb of the West: An Interview with Naji Abu Nowar

By Amir Ganjavie and Shadi Javadi Abhari. The future of the western film genre, with its generic pattern, relation to historical narratives, and cinematic form, is a constant source of concern in cinema. Over the past couple of decades, various filmmakers, including Tommy Lee Jones (2005’s The Three Burials of […]

Sundays and Cybèle: Serge Bourguignon’s Oscar Winner Now on Criterion

By Jude Warne.  On April 8th 1963, at the Santa Monica Civic Auditorium, it was announced that Serge Bourguignon’s film Sundays and Cybèle had won the Academy Award for Best Foreign Language Film. Fifty-one years later, Criterion has re-released Bourguignon’s Oscar winner in a remarkably satisfying Blu-ray package that showcases […]

Humanities in the Digital Era

By Wheeler Winston Dixon. We live in the age of the visible invisible; everything is supposedly available to us online, but in fact, only a small fraction of the knowledge and culture of even the most recent past is available on the web. The digitization of our culture is now […]

99 Homes: A Sundance Review

By Jacob Mertens.  Ramin Bahrani—known in the indie festival circuit for his subtle, observational features Man Push Cart (2005), Chop Shop (2007), and Goodbye Solo (2008)—enters the current festival year with a film that pushes past the scope of the individual and toward grand meaning. Specifically, he seizes on the […]

Finding a Place: Katharine Isabelle on Torment (2013)

By Paul Risker. Katharine Isabelle’s discovery of films could not have been more different than my own. My place has always been on the spectatorial side of the silver screen, whilst for the actor her encounter with film from a young age was interactive and set in motion experiences she […]

The Return of I’m Alright Jack (1959)

By Paul Risker. “I’m alright Jack” is English slang for an individual focused solely on his/her self-interest. Though John and Roy Boultling’s 1959 satirical masterpiece borrows the phrase for its title, it’s not a film lost in its own self-interest or in possession of a complacent air. With a more […]