The Housemaid (South Korea, 2010)

By Daniel Lindvall. The original version of The Housemaid (1960) is often listed among the two or three best South Korean films of all time by local critics. The film and its director, Kim Ki-young (1922-98), were (re-)discovered internationally a little more than a decade ago. Kim, who started his […]

Wine Before the Massacre

By Rajko Radovic. Before picking up an automatic weapon a man savours a glass or two of a vintage wine. He wants the moment to last. He looks around and sees his surroundings with new eyes. Then comes the police uniform. He masks himself so he can become what he […]

Chris Cunningham Live

By Jamie Isbell. A large black curtain slowly parts and reveals three grey screens. Then a dense and inconsistent ripple of excitement erupts from a shuffling and enthusiastically rowdy crowd flooding the Roundhouse in North London on this evening of June 1st, 2011. It takes a few minutes of chants […]

The Implication of “WOW”

By Gary McMahon. “Films should be made with innocence,” someone said Orson Welles said, and someone else said Charles Laughton knew exactly what Welles meant if indeed he said it when Laughton directed his own first-time masterpiece. Let’s not get hung up on whether and when Welles said it and […]

The Spirit of Journalism: Requiem for News of the World

By Celluloid Liberation Front. ‘Representation is a denial of participation’ (Muammar Muhammad al-Gaddafi in The Green Book) ‘They can sneer all they like, I’ll keep the 15000 extra copies’ (Keith Rupert Murdoch) Slap the Monster on Page One gave the title to Marco Bellocchio’s film about media manipulation of social […]

Edinburgh Film Festival | 15-26 June, 2011

By Yun-hua Chen. This year’s EIFF feels very different in all aspects, not only led by the new producer Jimmy Mulligan but also affected by the general budget cut in the UK. It is thus an interesting occasion to observe how film festivals tackle restraining material resources. Instead of red […]

Silverdocs Film Festival, 20-26 June, 2011

By Gary M. Kramer. Silverdocs, at the AFI Silver Spring, MD, is the biggest American festival for non-fiction film. This year’s slate featured several observational documentaries, including El Bulli: Cooking in Progress (Wetzel, 2010) and El Velador (Almada, 2011). Here are some observations about a half dozen films featured at […]

The New Flesh: A Critical Analysis of 1980s Metamorphosis Cinema

By Alexander Kirschenbaum. ‘Am I different somehow? Is it live or is it Memorex?’ (Seth Brundle [Jeff Goldblum] in David Cronenberg’s The Fly [1986]) For the purposes of this article, ‘metamorphosis cinema’ refers to a specific canon of 1980s-produced feature films that are about transitional physical states, about the grotesque […]