Barbara Beyond East vs. West

By Daniel Lindvall. Barbara (2012), written and directed by Christian Petzold, is a remarkable film. It may well be the best so far of all the German films made in recent years on the still very much contentious subject of the defunct German Democratic Republic (GDR). Generally speaking, such films, […]

Planetary Projection: Call for Participation

caboose, an independent publisher of books about film located in Montreal, Canada, is starting a new project on film projection called Planetary Projection, coordinated by Marina Uzunova. They are seeking contributions for an online album and eventual book from projectionists willing to share their experiences. For more information about this project, […]

Ruby Sparks (2012)

By Jacob Mertens. All writers, at one point or another, have felt the inspired moment when a story moves through them as if they were a conduit. The ability to manifest a living, breathing creature on a piece of paper can feel like an act of magic, and it is […]

Dark Humor in Films of the 1960s – Part 3

By Wheeler Winston Dixon. This is the third article in a 4-part series. You can read Part 1 here and Part 2 here. Death has often been used to comic effect in films, but an all out assault on what Jessica Mitford termed “the American way of death” is another […]

Inside Film: The Condition of the Working Class

Inside Film’s upcoming documentary, The Condition of the Working Class (now in post-production), was inspired by Friedrich Engels’ book written in 1844, The Condition of the Working Class in England. How much has really changed since then? The power relations in our society remain essentially the same. As a result […]

Dark Humor in Films of the 1960s – Part 2

By Wheeler Winston Dixon. This is the second article in a 4-part series. You can read Part 1 here. With sick comedy beginning to bubble up through the margins of the studio system in Hollywood, filmmakers in Britain soon leaped on the bandwagon. The country was in a “gallows humour” […]

Little Ted, Among the Dead

By Matthew Sorrento. Imagine Seth MacFarlane, late at night, banging the deskspace next to his laptop – the real him, not the smiling, media friendly celebrity we’ve come to know. He’s on deadline to return notes for the script of his feature film, to be his feature directorial debut. In […]