By Yun-hua Chen. It started when I went to a concert by an artist who was quite similar to the one portrayed in the film. The whole experience of watching her on stage was very intense. So I began writing something based on that, and over these 11 years, the […]
Indelible Footprints: Joseph Maddrey’s The Soul of Wes Craven
A Book Review by William Blick. Maddrey illuminates the master from behind the scenes and shines a light on exactly what he means to the language of cinema.” Joseph Maddrey, author of Nightmares in Red, White, and Blue (2004) has a new title The Soul of Wes Craven (Harker Press) […]
Van Helsing’s Key: The Latin Reading in Dracula (1931)
By Nicholas Goodhue. As far as I can discover, none of the commentators on the film have satisfactorily explained the meaning and importance of the film’s Latin passage…. However, the passage does in fact provide the basis for Van Helsing’s conclusion regarding his analysis of Renfield’s blood.” About thirty minutes […]
Irreversible Transformation: Mo Harawe’s The Village Next to Paradise
By Yun-hua Chen. While Cigaal’s coming of age is marked by the loss of his dreams, the surrounding’s seems to be a brutal and irreversible transformation—one driven by machine-led globalization….” “My whole life I try to make things better, but I keep making mistakes,” says Mamargrade (Axmen Cali Faarax), the […]
Reading Between the Lines: An Interview with Biographer Carl Rollyson
By William Blick. I do not ask myself what information is available about a figure or would they cooperate. Rather, I ask myself, what is in my own experience or what do I think I know about this figure? What qualifies me to write about this person? That is what […]
Building a Mask: Luis Ortega on Kill the Jockey
By M. Sellers Johnson. How do you go through the scenes in life, with what face, with what attitude? It’s really something you can’t choose. You think you can choose but you can’t.” -Luis Ortega From perceptive newcomers like Tomás Gómez Bustillo to internationally regarded directors such as Lucretia Martel […]
Her Own Star – Vera Miles: The Hitchcock Blonde Who Got Away
A Book Review by Thomas M. Puhr. Author Christopher McKittrick makes a persuasive case for celebrating the consummate professional Miles became rather than mourning the icon she never was….” It says a lot about the fickleness of celebrity that an actress who has worked with some of the industry’s biggest […]
Practice Makes Progress: Danny Turkiewicz’s Stealing Pulp Fiction
By Jonathan Monovich. Stealing Pulp Fiction leaves Tarantino’s ambitious narrative structure behind. Instead, Turkiewicz embraces a straightforward story without twists, turns, and time warps.” A so-called “thief” of film history, Quentin Tarantino’s style, predicated on the referential, looks to the past for influence. Tarantino has long prided himself for “stealing.” […]
Post-Colonial Capitalistic Landscape: Selections from Cannes 2025
By Ali Moosavi. The difficult, tumultuous relationship between Celine and Margueritte is at the core of Love Letters, while Félix Dufour-Laperrière delivers Death Does Not Exist.“ The films in the main competition section of Cannes Film Festival are the ones that get all the limelight and media coverage. Cannes however […]
Ben Model, Keeping Silent Movies Alive and Well
By Jeremy Carr. I realized that anything I had ever done related to silent film had just sort of handed itself to me, and I leaned into that….” —Ben Model Ben Model loves silent movies. In case it isn’t obvious by his live performances, online videos and podcasts, and the […]