Bloody Family Reunion: Vincent Grashaw’s What Josiah Saw (2021)

By Thomas Puhr. In short, wildly inconsistent. But at its best, it’s something to behold; more akin to a Southern Gothic short story of the William Faulkner variety than a straight-up horror exercise.” Given its vaguely connected story threads – each of which varies considerably in quality – Vincent Grashaw’s […]

Awkward Love Blossoms in Goodbye, Petrushka

By Elias Savada. Nicola Rose’s first feature displays some grand baby steps towards a brighter future. You just have to accept the weird, brightly-colored yet sparse tableau she has drawn here.” For those of us who like romantic comedies, Goodbye, Petrushka falls amidst the genre’s smaller ones best described as […]

Blood and Guts, with Brains – Stuart Gordon: Interviews

A Book Review by Thomas M. Puhr. It’s hard to think of a genre filmmaker today capable of going so far out on the ledge of bad taste while maintaining an artistic skill that ranks them with the best of the horror masters. In this sense, Stuart Gordon remains one-of-a-kind: […]

Katabasis and News of the World

By Ken Hall. The journey undertaken by Captain Kidd (Tom Hanks)…through Texas causes him to pass through ‘alien territory’ in a double sense. He is not closely acquainted with some of the locales which he encounters nor with the routes to those locales. Perhaps more important is the underlying strangeness of the […]

All A-bored: Bullet Train

By Elias Savada. Style only goes so far in the case of Bullet Train. It can’t make up for all the other problems, especially the leaky script, self-destructing humor, and bland visual effects.” The bland zen-casual jokes that abound in Bullet Train — a boldly-stylized, hyper-exaggerated adaptation of popular Japanese […]