Channel Academic Publishing Launches as a Scholarly Imprint of BearManor Media

ANNOUNCEMENT: Channel Academic Publishing Launches as a Scholarly Imprint of BearManor Media; Editorial Director, Matthew Sorrento I’m very excited to share that we have launched Channel Academic Publishing, a scholarly imprint of BearManor Media. With Ben Ohmart as publisher, Gary D. Rhodes as Advisory Editor, and yours truly as Editorial […]

A Touch of the Poetry: Orson Welles and Badge of Evil

By James Morrison. Every admirer of Welles – that is, every lover of cinema – will find endless fascination in perusing the point of origin of one of his greatest films.” Touch of Evil (1958) starts with the most famous shot in Orson Welles’s work and one of the most […]

Everyone’s Cinema Scholar: Remembering David Bordwell (1947-2024)

Film International editors, contributors, and correspondents offer personal tributes and commentary on the late scholar of cinema. I regret never having the pleasure of meeting David Bordwell. My only interaction with him was a lively email exchange little over 10 years ago. I was planning an article on the early […]

The Surveillance Economy of David Fincher’s The Killer (2023)

By David Ryan. The Killer argues that no matter how much security wealth buys or the number of datalocks that conglomerates build, these defenses can be poked and usurped by determined criminals. Conversely, no matter how clandestine criminal cells are organized, they can be destroyed, particularly from within.” Spoiler Alert […]

Resistance to Conformity: Eva Vitija’s Loving Highsmith (2022)

By Melanie Marotta. Ever since I was sixteen or seventeen, I’d – I’d get what is sometimes called creepy ideas.” (05:19-05:25) With Loving Highsmith (2022), writer and director Eva Vitija does what others have refused to do – she resists labeling Highsmith. Instead, by allowing her life to unfold, viewers […]