By Jacob Mertens. In the opening moments of Mike Mills’ Beginners we see a vase of dead flowers against a dirty kitchen window. The camera is tight, shallow focus, not letting the room breathe. The film cuts to Ewan McGregor’s character Oliver wandering through a near empty house. He dumps […]
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Andrew Montiveo
Exploring Collective Fear, with a Solar-Powered Cellphone: Bruce Wemple’s The North Witch
Yun-hua Chen and Anne Küper