By Christopher Sharrett. Joachim Lafosse’s Our Children (Á perdre la raison, a.k.a. Loving without Reason, a much more sensible title) put me in mind of Catherine Corsini’s Leaving (Partir, 2009), in part because both films represent the continued promise of the international cinema during the US cinema’s ongoing willed bankruptcy […]
ONLINE | Thinking Film Since 1973
Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo