By Brandon Konecny. Apart from Faces (1968) and A Woman Under the Influence (1974), none of Cassavetes’ films were successful, both commercially and critically. They were seen as chaotic, technically inept, haphazardly improvised—they were, in short, a chore to watch. But none of them, not even Husbands (1970), incurred the […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
