By Paul Risker. Arguably the icon of onscreen childhood angst is Antoine Doinel (Jean-Pierre Léaud) in François Truffaut’s The 400 Blows (1959). His desperate gaze out to sea is one that is seared onto the cinematic consciousness. Fast-forward more than half a decade and Hide Your Smiling Faces (2013) sparks the […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
Life at the Movies – Every Movie is a Miracle: A Colloquy Between Leonard Maltin and Nat Segaloff
Alex Ramon
A Bigger Vision of the Past: Stephen Bourne on Research in Black and LGBTQ+ Cinema and TV History
