By Jude Warne. Ideal film criticism is that which is as objective as possible. This is to ensure that the reader of the criticism is the recipient of factual information, from which he or she can derive a personal conclusion as to whether or not he or she might like […]
ONLINE | Thinking Film Since 1973
Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo