Michael Morris’ Hermeneutics: Visual Music, Expanded Cinema, New Aesthetic

By Michael Betancourt. Michael Morris’ expanded cinema performances, Second Hermeneutic (2013) lasting approximately nine minutes, and Third Hermeneutic (2014) lasting approximately eleven minutes, are both produced using a combination of traditional 16mm film projectors and video; Third Hermeneutic also employs digital technology – a laptop computer running a custom Midi-controlled piece […]