The new study of Paul Thomas Anderson’s films by critic, screenwriter, and occasional Film International contributor George Toles (author of A House Made of Light: Essays on the Art of Film, and co-writer of the screenplays for The Saddest Music in the World, Brand Upon the Brain!, Keyhole, and others) will appear in […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
