By Christopher Sharrett. I somehow conflate in my mind’s eye images of Les Parapluies de Cherbourg/The Umbrellas of Cherbourg (1964) and Les Demoiselles de Rochefort/The Young Girls of Rochefort (1967) with images of my experiences of the late Sixties. This seems odd, since these masterworks by Jacques Demy, although fully-accomplished […]