By Tony Williams. 1946 was an “annus mirabilis” (“amazing year” for those who never studied Latin) for American, British film noir, and many of its international counterparts. Both appearing a year after the end of World War Two, The Stranger and Appointment with Crime were generic achievements in their own right […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
