By Christopher Sharrett. A portrait of female disintegration to a point that [the film] has been termed a horror film, an extreme designation, but not wholly inaccurate.” I saw Spencer at its opening, but I’ve waited to comment on it until I could view it carefully on Blu-ray, such is […]
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Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo