Review

A Book Review by Louis J. Wasser. The film director’s traditional conflict between making an artistic statement and making a film that earns money is especially challenging if the director is black. Like any, these filmmakers have to cover significant costs and work within a budget. And because film is […]

By Dean Goldberg. There’s an often quoted line attributed to director Alfred Hitchcock that goes like this: “Drama is life with the boring parts cut out.” Flesh and Blood, a new film that turned heads at the 2017 SXSW Film Festival, bounces Hitch’s statement on its end. Indeed, actor/director Mark […]

By Christopher Sharrett. I have always been curious about the lives of nuns, mainly because I suffered under their twisted physical and psychological ministrations for eight years of parochial grammar school in the Fifties. The topic of a nun’s origins are dealt with in a not particularly distinguished film entitled […]

By Elias Savada. The tongue-in-check, over-the-top aspect of Mayhem, a looney tune of a film from director Joe Lynch, offers a steroid-infused day in the life of a really toxic office environment. And I do mean toxic, as in a nasty, infectious virus nicknamed ID-7, which first appears, appropriately, as a […]

By John Duncan Talbird. In January of 2015 screenwriter and aspiring filmmaker David Crowley was found dead along with his wife, Komel, and five-year-old daughter, Raniya, in their Apple Valley, MN suburban home. Crowley had self-funded a promotional video for a proposed film called Gray State, a dystopian vision of America […]

By Cecilia A. Zoppelletto. The sophisticated style of The Paris Opera, whilst weaving stories of mundane occupations with the artistic highlights of this world, turns the documentary itself into an opera. The story, which follows the classic formula of the backstage picture by taking place in a theatrical setting where […]

By Elias Savada. As the latest shadowy slant on the malevolent small town subterfuge melodrama – following a few weeks after George Clooney’s Coen Brothers-inspired Suburbicon, which takes the neo-noir thriller sub-genre to totally outlandish levels – Sweet Virginia is a more personal, low-key affair that follows the aftermath of […]

By Kate Hearst. Barbara Kopple’s latest documentary revisits a high profile domestic murder case in Mansfield, Ohio in 1989, and reveals how this tragedy continues to haunt. In vérité style, Kopple follows thirty-eight-year-old Collier Landry as he returns to his hometown, where at age eleven, he witnessed the murder of […]

By Elias Savada. If you create a film and title it to suggest it’s the beginning of a series, you better hope that your audience will arrive in quantity and that your product will offer up quality. Tossing in some originality would help, too, rather than using the beg-borrow-and-steal approach for […]

By Elias Savada. Auteur provocateur Ruben Östlund loves to pick at society’s scabs – and make you laugh and writhe at any unsettling pus that oozes out. As with the squirm-inducing Force Majeure (2014), the Swedish writer-director’s funny-sad journey into middleclass smugness, The Square, his latest bourgeois boil being lanced, viewers […]