Not Playing Smart: The Catcher Was a Spy

By Elias Savada. There’s an unsettling blandness flowing through The Catcher Was a Spy, a well photographed and impressively designed film about a fascinating character who made a mark in two wildly divergent professions. It’s a fictionalized account of Major League Baseball player Morris “Moe” Berg, as based on Nicholas Dawidoff’s […]

Tarkovsky’s The Sacrifice: Against All Doctrine

By Christopher Sharrett. I have been meaning for some time to put pen to paper about Andrei Tarkovsky, about whom I’ve been hesitant for decades. A few remarks on the occasion of Kino Lorber’s new Blu-ray of the director’s final film might be a good starting place for a consideration. […]

Film Scratches: Following the Logic of the Eye – noCOM (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. noCOM stands for “no comment,” according to filmmaker Walter Ungerer, and that is appropriate because this ten minute short, a sequence […]

Film Scratches: Recent Short Films by Chang Po-Yang

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Chang Po-Yang is a young filmmaker from Taiwan. Here is a round-up of his recent experimental shorts. Je est un autre […]

Life Interrupted: Erick Stoll and Chase Whiteside on América

By Gary M. Kramer. América, directed by Erick Stoll and Chase Whiteside, is a lovely, poignant meditation on eldercare. The filmmakers capture the rhythm of the life of Diego, a young man living in Puerto Vallarta, Mexico, who is called back to Colima to care for his grandmother, América, who […]

Fiercely Unpredictable: First Reformed

By Thomas Puhr. Paul Schrader takes Christianity seriously: no small feat, given that many “Christian” movies today are of the schmaltzy, Sunday School variety (i.e. God’s Not Dead, Heaven Is for Real). The writer-director’s latest offering, First Reformed (2017), reconfirms his status as one of America’s most unpredictable filmmakers (his […]