By Tom Ue. Born and raised in New York City, writer/director Joey Kuhn makes films that draw inspiration from the nexus of fine art and pop culture. His first feature film, Those People (2015), premiered in competition at SIFF 2015, and has since played over 65 film festivals worldwide. It has won 10 […]
The Real Underground: Jack Sargeant’s Flesh and Excess: On Underground Film
A Book Review by John Duncan Talbird. Jack Sargeant’s new book, Flesh and Excess: On Underground Film, is an exploration of a place, a time, a state of being, a culture, and a certain range of experiences, experiences which have not yet been fully charted because they probably never can […]
“Hello Darkness, My Old Friend”: Criterion’s Only Angels Have Wings
By Tony Williams. If Robin Wood once said on a DVD feature, “If you don’t like Marnie, then you don’t like Cinema”, any encounter with Hawks’s Only Angels Have Wings (1939) challenges any viewer in a similar manner. As Gerald Mast (105) wrote, the film serves as “a cutting edge […]
Skewer You!: The Life of Art Bastard Robert Cenedella
June 10, 2016
By Elias Savada. Unless you’re orbiting the art universe, particularly in the vicinity of its comically subversive galaxy, you’ve probably never heard of Robert Cenedella, who is both a bastard (in the biblical sense) and an artist (in a mostly mythological/fantastical off-the beaten-path way) in Art Bastard, a sprightly designed look […]
Always a Little Better: An Interview with Cinematographer Brian Tufano
June 9, 2016
By David A. Ellis. Cinematographer Brian Tufano BSC, who now teaches cinematography at the National Film School in England, was born in the Shepherd’s Bush area of London in 1939. Before shooting films, he spent twenty-one years working a variety of jobs in the BBC film department, which was based at […]
Robert Lang’s New Tunisian Cinema: Allegories of Resistance
June 8, 2016
A Book Review by Matthew Fullerton. New Tunisian Cinema is a timely book, released three years after the revolution that toppled Ben Ali, the dictator under whom the directors featured in Robert Lang’s study worked for much of their careers. It focuses on eight oeuvres from New Tunisian Cinema, a generation […]
The Serious Humor and Beautiful Ugliness of The Lobster
By John Duncan Talbird. A few years ago, I was with my wife in some Brooklyn hamburger joint waiting for our food. It was one of those places where you are given an electronic device that vibrates when your food is on the tray and ready to consume. My device […]
Film Scratches: Music from the Noise – M. Woods’ Post-Panoptic Gazing (2015)
June 7, 2016
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Post-Panoptic Gazing is M. Woods’ delirious, omnivorous mashup of original and found footage, both digital and celluloid. Woods plunges the viewer […]
“Spielberg Doesn’t Know Everything”: Neil Marshall on the Lifelong Education of Filmmaking
June 6, 2016
By Paul Risker. Since his feature debut Dog Soldiers (2002), Neil Marshall has developed a career across film and television, directing the action and genre pictures The Descent (2005), Doomsday (2008) and Centurion (2010), while directing episodes of Hannibal (2013-15), Black Sails (2014-), Constantine (2014-15) and Game of Thrones (2011-). As […]
Beyoncé’s Lemonade: She Dreams in Both Worlds
By Lisa Perrott, Holly Rogers, and Carol Vernallis. Beyoncé calls Lemonade a “visual album.” There’s been buzz about the image of Beyoncé smashing up cars, and a lot of talk about the autobiographical themes of the lyrics (lines like “better call Becky with the good hair” have been getting attention for the […]