By Gary M. Kramer. The Tribeca Film Festival’s shorts programs, curated by Sharon Badal offer slices of life that are often more satisfying than the features that play alongside them. The programs are thematically linked. The New York programs—one narrative, one documentary—are always highlights of the fest. In the “New […]
A Place in Myth: Portia Doubleday on After the Ball (2015)
By Paul Risker. From Pascal Chind’s short film Extrême Pinocchio (2014) to a contemporary retelling of Cinderella in After the Ball (2015), if as wisdom suggests there are only a limited number of archetypal stories to be told, then these two films frame storytelling as being comparable to the game […]
Motherhood and Mourning in Giuseppe Tornatore’s The Unknown Woman
By Francesco Pascuzzi. Already with the film’s title, Giuseppe Tornatore’s The Unknown Woman (La Sconosciuta, 2005) sets out to toy with the audience’s perspective and its perception of the lead character Irena (Ksenia Rappoport). When the protagonist arrives in town[1] and lands herself some menial work in an upscale residential […]
Un Flic: Melville and the Ambiguities
By Tony Williams. On initial release, Jean-Pierre Melville’s Un Flic (1972) disappointed many and has remained in critical limbo to the present day. Despite growing appreciation of its visual style, the reasons why the director adopted such an ambiguous and seemingly incoherent approach still remain mysterious. Any film that followed […]
Call for Submissions – The Second Annual REEL EAST FILM FESTIVAL (August 21-23, 2015)
The Reel East Film Festival is seeking exciting, uncompromising and unique visions from around the world to present at our Second Annual event at the historic Ritz Theatre in Oaklyn, NJ on August 21-23, 2015. We are looking for short films in the following categories: Narrative, Documentary, Experimental, Student and […]
A Journalist and a Murderer (i.e., a Writer’s Fantasy): True Story (2015)
By Jude Warne. For a reviewer, for a journalist, to review and critique a film that champions and practically makes love to the journalist vocation is a uniquely complicated task. Writers believe that the art of writing is of utmost importance, but who knew everyone else did, too? Rupert Goold’s […]
John Schlesinger’s Darling (1965): the British Screen in Transition
By Paul Risker. There is a natural tension that permeates the Anglo-French relationship: two countries that have intertwined histories, have fought wars as both allies and foe, and even within the political sphere of the European Union tensions have continued to endure as if they are a natural formation. So […]
Steve Hoover and Danny Yourd on Crocodile Gennadiy: A Tribeca Interview
By Gary M. Kramer. Crocodile Gennadiy is Steve Hoover’s compelling documentary—executive produced by Terrence Malick—about the charismatic Gennadiy Mokhnenko, a Ukrainian pastor who rescues drug-addicted kids off the streets and places them in his rehab center, Pilgrim Republic. A combination prison/hospital and police station, the center is a place for […]
Sibs Shongwe-La Mer’s Necktie Youth: A Tribeca Interview
By Gary M. Kramer. Necktie Youth is a gorgeous black and white drama writing and directed by Sibs Shongwe-La Mer. Set in Johannesburg, South Africa, the film opens with Emily (Kelly Bates) live streaming her suicide. The effect this action has on a handful of characters plays out throughout the […]
Imprisoned by the Absurd: Filmmaker Patricio Henriquez on Uyghurs
By Amir Ganjavie. Montreal-based, Chilean-born filmmaker Patricio Henríquez has previously made two documentaries examining the issues surrounding abuse at the Guantánamo Bay prison. The first was Under the Hood: A Voyage into the World of Torture (2008), which centers on the treatment of prisoners in the Abu Ghraib prison in […]
