By Gary M. Kramer. The Tribeca Film Festival sadly did not take place this year because of the global pandemic, but the festival’s shorts programs, curated by Sharon Badal and Ben Thompson were available for press. Badal, Thompson, and their team winnowed more than 6,100 entries down to 64 shorts […]
Told It Slant – The Nosferatu Story by Rolf Giesen
A Book Review by Tony Williams. Usually, I have a fondness for direct-to-library publishers such as Bear Manor, McFarland, and Scarecrow since they often provide a very important service in publishing books often unjustly neglected by mainstream publishers that contribute to knowledge rather than engage in theoretical mystifications designed to […]
Portraying the “Big Book of Testimonies”: Armando Espitia on Our Mothers
By Gary M. Kramer. Our Mothers is a somber but powerful drama getting a virtual theatrical release on May 1. Ernesto (Armando Espitia) is a forensic anthropologist in Guatemala, 2018. He is surrounded by death. He assembles a skeleton at work and digs up mass graves. He also listened to […]
The “Russian Griffith” with Jarring Physicality – The Bolshevik Trilogy: Three Films by Vsevolod Pudovkin (Flicker Alley)
By John Duncan Talbird. Vsevolod Pudovkin entered Moscow University to study physical chemistry at the age of seventeen. His studies were disrupted by the start of World War I where he was soon taken prisoner. Reportedly, he saw D.W. Griffith’s Intolerance (1916) in his late twenties and his passion for […]
Looking Out, Looking In – Filmed Thought: Cinema as Reflective Form by Robert B. Pippin
A Book Review by Thomas Puhr. It’s hard to make the mental jump from Georg Wilhelm Friedrich Hegel to, say, Douglas Sirk, but Robert B. Pippin pulls off such connections in his thoroughly-researched Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020). Though film criticism frequently incorporates philosophical […]
Into the Heart of War: Mikhail Kalatozov’s The Cranes Are Flying
By Jeremy Carr. According to Ian Christie, Mikhail Kalatozov’s The Cranes Are Flying is “in many ways the most important post-war Soviet film.” Christie, who is interviewed for the Criterion Collection’s Blu-ray release of Kalatozov’s 1957 feature, regards the film as a turning point in the nation’s cinematic history, embodying […]
Joseph Losey’s British Apocalypse: The Damned by Nick Riddle
By Tony Williams. This short, but concise 120-page monograph belongs to a developing series initiated by Auteur Publishing: Constellations: Studies in Science Fiction Film and TV. Akin to those BFI monographs usually written by those carefully selected by the good graces of the BFI establishment, this (and other aligned) series […]
Time Warp Documentary Steps Through Cult Film History
By Rod Lott. Pop quiz, hotshot: What makes a film a cult film? A. They have a quality of danger. B. It has to be the audience finding the film, rather than the film finding the audience. C. A film that is profoundly special and informative in a way that […]
Conflict in the Bubble of a Boarding School: Tayarisha Poe’s Selah and the Spades
By Gary M. Kramer. Writer/director Tayarisha Poe’s feature debut, Selah and the Spades, is a precisely calibrated spellbinder. Anchored by an exacting performance by Lovie Simone as the title character, a senior at the Haldwell School, the film depicts the power struggles, rivalries, and jealousies that unfold among five underground […]
Hybridity Challenging “Un-Filmable”: The Story of Temple Drake (Criterion Collection)
By Tony Williams. This adaptation of William Faulkner’s notorious novel Sanctuary (1931) first appeared as a Paramount production in 1933, a year before the imposition of the notorious Hays Code, which it supposedly jump-started. Its celebrity resembled the later infamy associating Bertolucci’s Last Tango in Paris (1972) and Pasolini’s Salo […]
