Say Goodbye to Hollywood: John Schlesinger’s The Day of the Locust (1975)

By Jeremy Carr. There has never been a self-referential Hollywood feature quite like 1975’s The Day of the Locust, a twisting and twisted tale of sullied lives, desperation, and, ultimately, sheer madness.” Hollywood has always been rather good at building itself up, generating films that flaunt the glamour of Tinseltown, […]

Recognizing Belafonte

By Robert K. Lightning. If Poitier’s films frequently situate him as an integrationist hero, successfully negotiating the rocky path to white acceptance, Belafonte’s films typically chart a very different path where acceptance is not always the goal, making him often Poitier’s cinematic antithesis.” With the announcement of Harry Belafonte’s death […]

An Ardent Appreciation – Crooked, but Never Common: The Films of Preston Sturges

A Book Review by Jeremy Carr. While Klawans routinely sings the praises of Sturges, he also expresses an evenhanded awareness of certain shortcomings, making this critical analysis from Columbia University Press a perceptive, exceptionally well-composed and earnest evaluation.” Lest there be any doubt about Stuart Klawans’s regard for the subject […]