By Ali Moosavi. In Razor’s Edge: The Legacy of Iranian Actresses, I showed their true worth and high place in the cinema. Some people who used to look down at these actresses from a high moral platform as cheap women, were crying at the screenings and saying how sorry they […]
Victims Performing the Victimized: Houman Seyyedi’s World War Three
By Ali Moosavi. With the rather unsure state of the Iranian cinema at the moment, it remains to be seen what the future holds for WWIII and its talented director.” I have been a fan of the young Iranian filmmaker Houman Seyyedi ever since I saw his sophomore directing feature […]
Estrangement All Over: An Interview with Niki Karimi on Atabai
By Ali Moosavi. Atabai is about loneliness and the estrangement with environment that we feel all over the world.” My very first contribution to Film International was an interview with the Iranian actress-writer-director Niki Karimi in 2014 (issue 12.3). Since then she has appeared in ten movies and three TV […]
When Asylum’s Regained: Eva Mulvad’s Love Child (TIFF 2020)
By Ali Moosavi. Love Child is not so much a story about refugees and asylum seekers…. This is a film about love triumphing above all adversaries.” The subject of asylum seekers has come to the fore in recent years with refugees from war torn countries fleeing to the west and […]
Burning the Past, and the Future: Shahram Mokri’s Careless Crime
By Ali Moosavi. Careless Crime is an unsettling and dazzling achievement, using a real-life crime at the onset of the Iranian Revolution to examine cinema and its relation to reality versus illusion.” With only four feature films under his belt, the Iranian director Shahram Mokri has established himself as a […]
The Best Iranian Films of the Year: A Personal Selection
December 17, 2019
By Ali Moosavi. Among the many Iranian films that I have watched this year, six have stood out for me. If we don’t consider the purely commercial and state-funded films which dominate the screens in Iran, the Achilles heel of most independent Iranian films is their screenplay. If there is one […]
Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005)
By Luke Buckle. ABSTRACT Iranian film has in recent decades comprised an increasingly important and influential cinema. The Iranian Islamic Revolution of 1979 paved the way for freedom of artistic and literary expression, communicating a new generation of unheard voices in Iranian society. More specifically Iranian cinema has progressed in […]