When Asylum’s Regained: Eva Mulvad’s Love Child (TIFF 2020)

By Ali Moosavi. Love Child is not so much a story about refugees and asylum seekers…. This is a film about love triumphing above all adversaries.” The subject of asylum seekers has come to the fore in recent years with refugees from war torn countries fleeing to the west and […]

Burning the Past, and the Future: Shahram Mokri’s Careless Crime

By Ali Moosavi. Careless Crime is an unsettling and dazzling achievement, using a real-life crime at the onset of the Iranian Revolution to examine cinema and its relation to reality versus illusion.” With only four feature films under his belt, the Iranian director Shahram Mokri has established himself as a […]

The Best Iranian Films of the Year: A Personal Selection

By Ali Moosavi. Among the many Iranian films that I have watched this year, six have stood out for me. If we don’t consider the purely commercial and state-funded films which dominate the screens in Iran, the Achilles heel of most independent Iranian films is their screenplay. If there is one […]