By Ali Moosavi. Instead of storyboards we make a 3-D model where we can have an aerial view of the action. We can then envisage the placement and movement of actors.” –Shahram Mokri Shahram Mokri and Nasim Ahmadpour are partners in work and partners in life. They write the screenplay […]
Cinema to the Edge: Alireza Khatami on The Things You Kill
By Ali Moosavi. To me this is human nature…. It’s knowing the roots of things, knowing the history of things. It doesn’t erase the pain but that’s how to face the world: with empathy.” —Alireza Khatami Next year’s Oscars mark a unique achievement for Iranian directors. No less than four […]
Scenes of Integrity: An Interview with Reza Akhlaghirad
By Ali Moosavi. The road I have travelled on has been a tumultuous one. Some things that I could only dream about in my day-to-day life, I could experience in the lives of the characters that I played. Those feelings of rage and anger, that if you display them in […]
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
By Ali Moosavi. I always wanted to be a director but John Huston said to me, look you’ve got the passion and the desire to make movies; why don’t you become a creative producer? This way you don’t have to always seek for jobs as director. The producer creates the […]
A Warden and Actors: An Interview with Filmmaker Nima Javidi
By Ali Moosavi. I prefer films and novels in which a character who plays a critical part in the story is mainly absent.” With just two feature films and a TV series under his belt, writer-director Nima Javidi has established himself in the upper echelons of Iranian cinema. He got […]
Taking Risks for the Sake of Cinema in Iran: Celluloid Underground and Achilles
By Ali Moosavi. Both these films show the lengths their makers have gone, the enormous risks they’ve taken, all for the sake of cinema.” Two films made by Iranian directors have at least one thing in common: they both show the deep, undying passion that many Iranians have for cinema. […]
The Father of the Iranian New Wave: Dariush Mehrjui, 1939-2023
By Ali Moosavi. The discovery of the groundbreaking filmmaker’s body with that of his wife in their home, both stabbed, on Saturday, 14 October (found by their daughter), has sent a shockwave throughout the film community at a troubling time…. The news item was brief: the bodies of the Iranian […]
Interdependent Elements: An Interview with Iranian Film Editor Haideh Safiyari
By Ali Moosavi. In the first place, you must be very patient…. You should know that it is a very difficult and time-consuming job and can affect your health. Meanwhile, you should be sensitive to the social issues in your environment and learn from other forms of art, too.” When […]
“Starting with a Lie to Gather Unity” – Abbas Kiarostami: Interviews
A Book Review by Ali Moosavi. The collection, edited by Monika Raesch, is really two books under one cover – an extensive critical introduction to Kiarostami, authored by Raesch, and roughly 100 pages of interviews in which the filmmaker proves to be surprisingly open and eminently quotable.” Though the renowned […]
Finding Humor in Tragedy: The Films of Iranian Director Reza Jamali
By Ali Moosavi. A new and original voice in the Iranian Cinemas whose films deserve to find a wider audience.” With only two feature films to his credit, Iranian writer-director Reza Jamali has emerged as a new and unique voice in the Iranian cinema. Both his films, Old Men Never […]