By M. Sellers Johnson. Payal Kapadia’s All We Imagine As Light imparts a warm, humanist embrace that is as humorous as it is earnest, while Rungano Nyoni’s On Becoming a Guinea Fowl offers an odd blend of irreverent comedy and sharp drama….” Late summer in Ontario signals the annual return […]
A Little from Ukraine, More from Spain: Selections from TIFF 2024
By Ali Moosavi. The Ukranian gem U Are the Universe is a prime example of a film where with little budget but bags of creativity and ingenuity a filmmaker can succeed where many mega-budget Hollywood movies have failed.” Though Toronto International Film Festival was only founded in 1976, it has […]
New Voices During Labor Unrest: Selections from the 48th Toronto International Film Festival
By M. Sellers Johnson. The presence of exceptional domestic screenings surely attests to the saliency of the Canadian film industry – a reminder of the importance of local creatives, amidst the large collection of international filmmakers and audiences.” In the early weeks of September, Toronto found itself once more engulfed […]
When Asylum’s Regained: Eva Mulvad’s Love Child (TIFF 2020)
By Ali Moosavi. Love Child is not so much a story about refugees and asylum seekers…. This is a film about love triumphing above all adversaries.” The subject of asylum seekers has come to the fore in recent years with refugees from war torn countries fleeing to the west and […]
Everything’s Gone Green: Carnival Dystopia in Michel Franco’s New Order (TIFF 2020)
By Alexandra Heller-Nicholas. Franco is aggressively focused on a contemporary moment of social upheaval where a literal class war is rendered even more nightmarish….” Michel Franco’s New Order bursts on the screen with a series of almost breath-takingly bold images. A naked woman covered in green, slime-like paint. A hospital’s […]
The Anti Rape-Revenge Film: Madeleine Sims-Fewer and Dusty Mancinelli on Violation (TIFF 2020)
By Alexandra Heller-Nicholas. There is something super cathartic about the idea of revenge, and what we recognised when first making the film is that really we’re making an anti revenge film. It’s like the film is designed to scare you not to seek revenge because of how it’s going to […]
TIFF 2020: Short Cuts
By Gary M. Kramer. The Short Cuts programs, a staple of the Toronto International Film Festival, showcases five programs of new work by established and up and coming filmmakers. Each program has a loose theme and offers a mix of narrative, animated, and documentary shorts. Here is a rundown of […]
Hitler is Not Your Friend: Taika Waititi’s Jojo Rabbit (Toronto International Film Festival)
By Alexandra Heller-Nicholas. With its world premiere at the 2019 Toronto International Film Festival, Taika Waititi’s Jojo Rabbit functions as the final installment of the filmmaker’s informal trilogy that focuses on the subjective experience of boyhood. In 2010’s Boy, the eponymous protagonist is an 11-year-old played by James Rolleston, while in 2016’s […]
Portrait of a Lady on File: Seberg (Toronto International Film Festival)
By Alexandra Heller-Nicholas. Although often unspoken, there is a frequently assumed “right” and “wrong” way to approach an artist’s body of work, be they a novelist, composer, director or actor. In this sense, I came to Jean Seberg all wrong. My first encounter with her was not the default “essentials” […]
Noir en Blanc: Vivian Qu on Angels Wear White (TIFF)
By Tom Ue. Writer, director, and producer Vivian Qu’s second film Angels Wear White is set in a small seaside town. Two schoolgirls were assaulted in a motel and the one witness, Mia (Wen Qi), is a teenager working on reception. The film follows the stories of Mia and one of […]