A Commodified Future: Sophie Barthes on The Pod Generation

By Ali Moosavi. When I wrote this film I had no idea [that the advance of AI] would happen so fast…. We have to talk about it and raise the questions; is that the world that we want?” Writer-director Sophie Barthes was born in France but grew up in South […]

Into the Universe: Filmmaker Daphné Baiwir on King on Screen

By Leo Collis. “I really wanted to give the audience the feeling that they were entering the Stephen King universe.” The chances are, whether knowingly or not, you’ve seen a Stephen King adaptation on screen. The prolific author from Portland, Maine, has written over 50 books, and he has inspired […]

“Rejecting Reality”: Mary Dauterman on Booger

By Alexandra Heller-Nicholas. I come from a commercial background. I’m mostly directing pieces where everyone looks perfect…. I did not want Booger to feel like that at all. It’s raw and disgusting and grimy.” At its most placid, depictions of grief on-screen veer away from excessive physical displays. Gentle weeping […]

Barbie: Greta Gerwig’s Unboxing

By Elias Savada. Gerwig leaves a personal imprint on her film, as a boldly painted battle cry for womanhood and subversive social satire about misguided male perceptions.” In a refreshingly anarchistic, pink-pastel manner, Greta Gerwig, the actor (Frances Ha) turned writer (here with her partner – in business and in […]

Our Only Physical Carrier: Claire Simon’s Our Body (Notre Corps)

By Yun-hua Chen. A natural continuation of Simon’s perpetual quest to intimately connect with humans in various conditions and manifestations.” From life’s inception to its inevitable conclusion, from the intricate tissues within us to the complexities of our identities, Claire Simon’s Our Body looks into the gynecological experience with remarkable […]

The Lost Burlesque Auteur: The Films of Lillian Hunt

By Alexandra Heller-Nicholas. What remains so striking about Hunt’s films is how openly both they and their supporting promotional material clearly sought to appeal to a female audience, well beyond the cliché of the porn-consuming scopophilic male.” While American burlesque cinema flourished in popularity during in the 1940s and 1950s, […]