By Jessica Baxter. You could never accuse writer/director Anna Biller of masking her influences. She has, to date, painstakingly created two films that would fit seamlessly within the sexploitation genre of the 60s and 70s. She follows up her sexual revolution comedy debut, Viva (2007), with The Love Witch, a […]
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Jenny Paola Ortega Castillo
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
Thomas M. Puhr