By Tony Williams. 1946 was an “annus mirabilis” (“amazing year” for those who never studied Latin) for American, British film noir, and many of its international counterparts. Both appearing a year after the end of World War Two, The Stranger and Appointment with Crime were generic achievements in their own right […]
Thinking Film Since 1973
Elias Savada
An Adrenaline-Fueled Race to The Rescue
David Finkelstein