By Christopher Sharrett. I have had a difficult history with David Lynch’s breakthrough film Blue Velvet (1986), and for that matter, much of the director’s work. At first, I thought the film a good antidote to the “morning in America” claptrap that was a major feature of the Reagan era […]
ONLINE | Thinking Film Since 1973
William Blick
An Auteur’s High Points – The Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral
Matthew Sorrento and Gary D. Rhodes