Film Scratches: Conjuring with Cameras – Savage Witches (2012)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Savage Witches, a feature length film by Daniel Fawcett and Clara Pais (collectively known as The Underground Film Studio), is itself […]

Film Scratches: Canaries in the Mine – Focus (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Focus is a thoughtful, intriguing 7 minute film essay by Simon Welch. The film is a portrait of Pierre, a retired […]

Film Scratches: A Network of Networks – Memento Mori (2012)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Memento Mori, Dan Browne’s profound 28 minute short, starts off seeming more banal and simplistic than it really is. The title […]

Film Scratches: Pregnant Poetry – The River (2016)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. The opening of Ya-Ting Hsu and Geoffrey Hughes’ The River, their 16 minute examination of the repeated traumas of Hsu’s pregnancy, […]

Film Scratches: Monuments to Guilt – Schuld Sind Alle (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Schuld Sind Alle is Viktor Dill’s thoughtful five-minute Super8 elegy to the Invalid’s Cemetery in Berlin. The film begins with a […]

Film Scratches: Synergy of the Eye and Ear – The Visual Music Films of Jing Wang and Harvey Goldman (2013-2015)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Jing Wang’s musical score for Passaddhi, the nine-minute visual music short she created with visual artist Harvey Goldman, we hear […]