By Tom Ue. Trevor Anderson was born in Red Deer, Alberta, and is now based in Edmonton. His short films include “Rugburn” (2005); “Rock Pockets” (2007), which received the inaugural Lindalee Tracey Award at Hot Docs; “DINX” (2008); “Carpet Diem” (2008), “Punchlines” (2009), and “The Man That Got Away” (2012), […]
From Terror to the Personal: Alfonso Gomez-Rejon on Me, Earl and the Dying Girl
By Paul Risker. Alfonso Gomez-Rejon’s journey into the spotlight with Me, Earl and the Dying Girl (2015) began with his directing second unit photography for master filmmaker Martin Scorsese (Casino, 1995) and working alongside contemporary star directors: Alejandro Gonzalez Inarritu (Babel, 2006), Kevin Macdonald (State of Play, 2009 and The […]
Collaborating on Conflict: Tobias Lindholm and Pilou Asbaek on A War
By Paul Risker. What is a list of titles that comprises a filmmaker or actor’s filmography if it is not a series of footsteps on a journey? A War (2016) represents a continuation, of two sets of footprints side by side as writer/director Tobias Lindholm and actor Pilou Asbaek continue their […]
Filming Addiction: Steven McCarthy on O Negative
By Tom Ue. Steven McCarthy was born in Sault Ste. Marie, Ontario. An actor, musician, and theatre director, he appeared in Kate Melville’s Picture Day (2012), which played the Toronto International Film Festival. O Negative (2015), his directorial debut, follows a man (McCarthy) who tries to care for and find shelter […]
A Debut in the Wastelands: John Maclean on Slow West
By Paul Risker. Slow West (2015) finds a young filmmaker stepping onto the landscape of an established genre: America’s own, the Western. It is a journey onto an old and familiar stage that offsets Scottish writer/director John Maclean’s youthful career. Slow West is his feature directorial debut, preceded only by couple of […]
Nordic Noir to the British Isles: Richard Laxton on River
By Paul Risker. There is a certain air of excitement, or rather, anticipation that comes with the arrival of a new detective walking the trail of mystery in the crime genre. This can be attributed to the recent success the genre has found in the Nordic Noir phenomenon and which has […]
Expressive Noise: An Interview with Naoki Kato on Carnival Folklore 2045
By David Novak. Carnival Folklore 2045 is perhaps the first true Noise film; its development is driven by the Noise that bursts out of the narrative, dominating the landscape of the film and binding the characters together in a mysterious world of sound. Combining the audacious absurdity of B-movie science-fiction kitsch with the […]
Expression/Supression: Gabe Polsky on Red Army
By Paul Risker. If the world is a stage in its own right then one of the enduring and timeless dramas is that of the division between East and West. It is a division that extends from political and communal ideas of otherness to employ sport, art and culture as […]
From Shakespeare to Superheroes: An Interview with Jordan Galland
By Tom Ue. Jordan Galland has directed commercials, music videos and three feature films: Rosencrantz and Guildenstern are Undead (2010), Alter Egos (2012), and Ava’s Possessions (2016). As a recording artist, he has released over a dozen albums of his own songs since 1998 and contributed music to films and […]
“A Process of Thinking”: Radu Jude on Aferim!
By Paul Risker. Ask the Romanian filmmaker Radu Jude how he views the place of his most recent feature AFERIM! within his body of work, and his response will be a modest one. “Well you know, when you say this important expression ‘body of work’, it makes me feel somehow like […]
