By Paul Risker. If film is a visual medium, then Richie Mehta’s Siddharth (2013) places as much emphasis on what is seen as not seen. “Siddharth” is a quest; a father’s search for his missing son whom he suspects has been abducted by child-traffickers. Of this twelve year old child […]
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Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo