The Journey, Not the Destination: Godard x 3 from Kino Lorber

By Jeremy Carr. After concluding what was ostensibly his second phase of filmmaking – if one accepts the admittedly blurred lines that divide a comparatively commercial feature like Weekend (1967) and the ultra-political, pseudo-documentary works of his so-called Dziga Vertov period – Jean-Luc Godard embarked on the third major stage in his career. Launching […]