By Elias Savada. Well-crafted even for its seemingly lowish budget, the movie is a doozy of a down-to-earth apocalypse farce.” For American filmmaker Alex H. Fischer, the road from avant-garde short films to arthouse feature stretches but four years, although his commercial and music video work dates back at least […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
