By William Blick. A zany yet suspenseful cinematic experience.” I saw the phrase, “after the plague, came the renaissance,” scribbled on a subway station wall and thought it was perhaps somewhat applicable to the aftermath of the Covid-19 pandemic. It seems that there has been a huge surge of creativity […]
Slow-Paced Stakes: The Vourdalak
By Andrew Montiveo. A hauntingly unique addition to the vampire canon, much like the story that inspired it.” When discussing vampiric cinema, Robert Eggers’s Nosferatu inevitably comes to mind. Ironically, the “original” Nosferatu was truly original – a German knockoff of Bram Stoker’s Dracula. Stoker’s 1897 novel remains the definitive […]
“Nobody Knows the Trouble I See”: Mike Leigh’s Hard Truths
By Jeremy Carr. Why do some people behave as they do?… It’s the psychosocial terrain explored in Mike Leigh’s latest engaging slice of life….” All somebody has to do is spend about five minutes on social media to see that people are angry. Sometimes, the causes are obvious, widespread, and […]
Both Sides Now: Arrival by David Roche
A Book Review by Thomas M. Puhr. Entertaining to everyday audiences without sacrificing philosophical complexity or skimping on actual research.” For nearly a decade now, Denis Villeneuve has worked exclusively within the science fiction genre. Thanks to his popular Dune saga and the cultural legacy attached to his sequel Blade […]
“Night Wanderings” with Nosferatu (2024)
By Gary D. Rhodes. Few filmmakers are as capable of waking the dead, and of transporting us to them, than Robert Eggers, the Charon of American cinema.” “He is coming,” we learn of Count Orlok (Bill Skarsgård) during Robert Eggers’ new film, just as we have heard for many years […]
In with the Old, in with the New: The Sword (1980)
By Jeremy Carr. An excellent primer for those new to the genre and a satisfyingly novel entry for its more seasoned fans.” To anyone even somewhat familiar with the martial arts films that came out of Hong Kong prior to and following 1980, critic Andrew Heskins’ observation that The Sword […]
With No Future, All That’s Left is the Past: Paul Schrader’s Oh, Canada
By Jonathan Monovich. An enthralling existential piece by one of cinema’s greatest talents.” Oh, Canada, Paul Schrader’s latest film, continues his ongoing exploration of the transcendental style. Schrader’s monumental book, Transcendental Style in Film: Ozu, Bresson, Dreyer, recognized that cinema and spirituality were interconnected via style, time, and movement. It’s an […]
Exploring Collective Fear, with a Solar-Powered Cellphone: Bruce Wemple’s The North Witch
By Andrew Montiveo. Imperfect and occasionally clunky, its slow-boil tension, isolation-driven horror, and cerebral elements make it a compelling watch….” Recently, witches have become conduits for exploring folklore and collective fear, as in The Blair Witch Project (1999), where ambiguity reigns, blurring the lines between reality and myth. These varied […]
The Slow Burn – The Rebirth of Suspense: Slowness and Atmosphere in Cinema
A Book Review by William Blick. A richly researched and detailed study that contributes original perspectives on an aspect of cinema that is often underrepresented….” Being a Gen-X kid, I was raised on Hollywood blockbusters of the 1980s. With a steady diet of films like Raiders of the Lost Ark, […]
Camp with a Heart: Vera Drew’s The People’s Joker (2022)
By Thomas M. Puhr. This is the kind of movie that begs to be experienced in a packed theater, preferably with the smell of marijuana wafting down the aisles. It may very well be this century’s answer to The Rocky Horror Picture Show.” Although only two years have passed since […]