By Elias Savada. For Elsa, her E.T. essence in her head never offers up an origin story or a political agenda, and this ambiguousness pushes the question – is this a cosmic lifeline or an invasion?” Leave it to the French (and writer-director Jérémy Clapin) to fashion this moody, low-budget, […]
Hollywood’s Star of Stars – Ferocious Ambition: Joan Crawford’s March to Stardom
A Book Review Essay by Jeremy Carr. More than a mere biography with chronological touchstones and historical anecdotes (though there are plenty of those, and they’re fascinating), it is also a psychological profile delving into the inner motivations of its subject, and a lavishly illustrated assessment of how a Golden […]
The Rhythm of Real Life: Michał Chmielewski on Roving Woman
By Savina Petkova. I think in the long take, we observe the rhythm of real life…. if we would cut between different emotional states, it would be artificial.” It would be reductive to call Roving Woman, the debut feature by Polish filmmaker Michał Chmielewski simply a road movie. That it […]
Clawing the Surface: Mary Dauterman’s Booger
By William Blick. A visceral metaphor for grief in an impressive low-budget indie debut…..” Mary Dauterman’s first feature length film, Booger, comes across as a cinematic exercise of sorts, i.e., a visceral metaphor for grief in an impressive low-budget indie debut. Not quite gory or suspenseful enough to satisfy the hardcore/ […]
Red Rooms: The Strategic Antipathy and Empathy of Emotional Contagions
By David Ryan. Writer-director Pascal Plante connects the complicated mechanisms of justice, social contagions, and psychological complexity to explore two dominant themes: the film contrasts the courtroom’s brightly lit (and tightly-controlled) semiotics with the digital world’s illicit market economy.” Red Rooms or Les Chambres Rouges (2023) focuses on the questionable […]
Escape from Their Golden Cages: Filmmaker Kurdwin Ayub on Mond (Moon)
By Yun-hua Chen. That’s why I chose MMA fights and combat sports. It’s all about being in a cage. Women’s MMA fights have this expectation that they must look sexy, and it’s about this strange desire of Sarah’s to return to the cage. Meanwhile, the girls in the film want […]
The Substance is a Documentary
By Alexandra Heller-Nicholas. As far as emotional fidelity is concerned, The Substance is a documentary. No other film I have ever seen so perfectly captures my subjective experience of the culturally enforced dissociation that happens en masse when, as a woman, your body starts to age.” I recently turned 50. […]
In a Motley Assortment: On Filmmaker Joanna Hogg
By Shonni Enelow. Hogg’s films present rich and compelling psychological characters while eschewing that legibility of motive.” Hogg’s films capture the tones and rhythms of contemporary relation quite differently from other historical realisms. The half-spoken, half-interrupted speech of her characters, the way they repeat themselves, revise their words, in conjunction […]
Danse Macabre: Filmmaker Karen Arthur on The Mafu Cage (1978)
By Alexandra Heller-Nicholas. I find that there is an emotional energy in a theater piece [the basis for The Mafu Cage] and that the relationships are so much stronger and more connected. I always use the concept that you have to see in film and so therefore I took the […]
Beauty Surrounding Us: Elene Naveriani on Blackbird Blackbird Blackberry
By Yun-hua Chen. I believe that all characters possess innate sensibility, which surfaces when given a chance.” —Elene Naveriani “Do you realize how much beauty surrounds us? I wish to be alone, to do what I want, how I like, and when I like,” declares Etero, a 48-year-old woman from […]