What the 80s Mean in Czechoslovakia: Alexandra Makarova on Perla

By Ali Moosavi. It was clear for us that we wanted to have an observer’s perspective so that it feels like I am invisible and standing with the camera and looking at these people.” –Alexandra Makarova One of the films showing at this year’s Rotterdam Film Festival is Perla by […]

The Unmanageable Maid

By Robert K. Lightning. Whether through indifference, innuendo, or caustic commentary, she makes her opinions apparent to her employers and, essentially, subverts any pretense of absolute authority over her. She is effectively unmanageable.” In honor of the fiftieth anniversary of its publication in 1973, I recently pulled Donald Bogle’s Toms, […]

“Nobody Knows the Trouble I See”: Mike Leigh’s Hard Truths

By Jeremy Carr. Why do some people behave as they do?… It’s the psychosocial terrain explored in Mike Leigh’s latest engaging slice of life….” All somebody has to do is spend about five minutes on social media to see that people are angry. Sometimes, the causes are obvious, widespread, and […]

A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking

By Jenny Paola Ortega Castillo. Hopefully the book will be part of a broader shift towards more focused, deeper critical dives into the nitty gritty of women’s horror filmmaking now that the field has been broadly solidified with incredible foundational texts….” Alexandra Heller-Nicholas’ career offers a rich tapestry of interests […]

Meanwhile on Earth: E.T. Phone Her(e)

By Elias Savada. For Elsa, her E.T. essence in her head never offers up an origin story or a political agenda, and this ambiguousness pushes the question – is this a cosmic lifeline or an invasion?” Leave it to the French (and writer-director Jérémy Clapin) to fashion this moody, low-budget, […]

The Rhythm of Real Life: Michał Chmielewski on Roving Woman

By Savina Petkova. I think in the long take, we observe the rhythm of real life…. if we would cut between different emotional states, it would be artificial.” It would be reductive to call Roving Woman, the debut feature by Polish filmmaker Michał Chmielewski simply a road movie. That it […]

Clawing the Surface: Mary Dauterman’s Booger

By William Blick. A visceral metaphor for grief in an impressive low-budget indie debut…..” Mary Dauterman’s first feature length film, Booger, comes across as a cinematic exercise of sorts, i.e., a visceral metaphor for grief in an impressive low-budget indie debut. Not quite gory or suspenseful enough to satisfy the hardcore/ […]