By Kierran Horner. Tarkovsky saw himself as a creator of temporal filmic images. In his published ruminations on film, Sculpting in Time; Reflections on the Cinema, he asserts the creation of a real cinematic picture as: ‘…faithfully recording on film the time which flows on beyond the edges of the […]
ONLINE | Thinking Film Since 1973
William Blick
An Auteur’s High Points – The Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral
Matthew Sorrento and Gary D. Rhodes