By Charlotte Daraio. By parodying its viewers expectations, Together, Together proves that relationships, and films about them, don’t need to fit into a preconceived box to be legitimate nor need to be directly relatable to be poignant.” A film poster with a man and woman sitting shoulder-to-shoulder, since the dawn […]
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Jenny Paola Ortega Castillo
Dead Souls on the U.S. Border: On Alex Cox’s “Final Film”
William Blick
Questioning Authority: Jim Towns’ Mercy
