By Tom Ue. Nathan Adloff made his feature film debut with Nate & Margaret, for which he was director, co-writer, and producer. It sold for worldwide distribution prior to completion and received a commendatory review from Roger Ebert. Nathan acted in Joe Swanberg’s early films and IFC series. His short film […]
“I Don’t Do Sentimental Journeys”: An Interview with Agnieszka Holland
By Alex Ramon. Few filmmakers can claim a more diverse and distinctive career than Agnieszka Holland, a truly global artist who’s worked in Germany, France, Czech Republic, England and the United States, as well as her native Poland. From historical to contemporary subject matter, original scripts to literary adaptations, studio […]
The Struggle Toward Beauty: Terence Davies on the Road to Sunset Song
By Paul Risker. While Sunset Song (2015) takes us on a journey into the world of Kinraddie, Scotland pre-World War I and during the ensuing war years, for British filmmaker Terence Davies it is the culmination of a journey. Perhaps it would be more apt to describe it as a struggle, because if […]
Programming in Constant Change: An Interview with Charles Morris
By David A. Ellis. Charles Morris has been running cinemas for nearly twenty-eight years in northern England. His company is Northern Morris Associated Cinemas Ltd., named after the erstwhile Southan Morris Associated Cinema Circuit. He runs six cinemas, four of which are in Yorkshire and all are over 75 years old. […]
Remaining at the Helm: Marc Abraham on I Saw the Light
By Paul Risker. Within the ongoing story of film there are those filmmakers, actors and producers that cast long shadows, although there are the more personal and intimate shadows, such as the one Marc Abraham’s producing career has cast over his work as a director: Flash of Genius (2008) and I […]
Critic as Programmer: Michał Oleszczyk on Poland’s Gdynia Film Festival
By Paul Risker. Last year saw The Gdynia Film Festival celebrate its 40th edition, the history and lifespan of which greatly dwarfs the brief involvement of its current Artistic Director Michał Oleszczyk, who has just completed his second year in the prestigious role. When one contemplates film as a collaborative medium […]
Paolo Genovese and Perfect Strangers: A Tribeca Interview
By Gary M. Kramer. Paolo Genovese’s cheeky comedy-drama Perfect Strangers operates on the simplest—and perhaps riskiest—of principles: if our phones are all “black boxes of information” about us, is there anything in them that could possibly embarrass us in front of our spouses and dearest friends who know us so […]
On “Corporate” Nordic Crime: Natalie Madueño on the Series Follow the Money
By Paul Risker. “It would have definitely been another series had it come out before the financial crisis, or it would have had a different reception,” offers actress Natalie Madueño in reflection of the climate that has invariably impacted the new Danish Series Follow The Money (created by Jeppe Gjervig Gram, 2016). More […]
All in the Momentum: Ira Sachs on Little Men
By Amir Ganjavie. One of the great entries at this year’s Berlinale, Ira Sachs’s Little Men centers on the coming-of-age story of two Brooklyn boys who test their friendship after a conflict between their parents. The challenge of this genre is to avoid the usual boy-meets-a-girl trap that often involves a routine portrayal of budding sexuality. Little […]
Variety and Unity: Michal Kosakowski on German Angst
By Paul Risker. The question is an integral part of the interview, but equally it was a question that was the spark for Michal Kosakowski, Andreas Marschall and Jörg Buttgereit’s collaboration on the anthology film German Angst (2015). As Kosakowski explained: “Andreas told me about an idea that he’d had for […]
